Seriously good.

There's a great line in a Simpsons episode (well there's a plethora of them really) when C. Montgomery Burns is viewing the less-than-flattering nude portrait of him which Marge has painted. In his typically non-plussed manner, he states "I don't know much about art, but I know what I hate; and I don't hate this."

Now, I don't profess to know much about art either, but Adagio-Seriously Sophisticated Circus had me enthralled and not thinking about hate one bit. From the opening minute, when each of the performers was introduced to the audience in a sequence which had us in a quandry as to which performer to focus on, to the mirror-image closure, I was amazed, amused, and just plain entertained in a way that I'm not generally accustomed to. But I liked it. A lot. Without being able to properly dissect the performance, to verbalise the nuances of the techniques deployed, or even identify the performers correctly, I'll at least have a crack and break it down to a Monty Burns-esqe critique. Adagio combines live music, comedy, pantomime, dance and most of all (as the name implies) amazing feats of gymnastic ability on an array of 'equipment' (chairs, swings, ropes etc). The two main protagonists were a diminutive male and a blonde female whose pure strength and incredible poise was so immense and impressive that you would think it looked so easy, but then you'd digest what they were doing and imagine trying to do it yourself, summising with a mental "no way!".
This was my second experience at Downstage, after the also brilliant Strike earlier this year, and if the quality of these two shows is an indicator of the fare on offer, then I can see myself making more regular visits. And I'd recommend that everyone should get along and experience Adagio... it's been extended, so there's no reason not too. Might even make it back for seconds myself.

Thanks to Markus at Downstage.

Brett Kennedy